Correlated Contents

  • WHO WRITES THESE WORDS?
  • OKAY SO WHAT ELSE DO YOU WRITE?
RSS

 

January 2012
M T W T F S S
« Dec    
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Meta

  • Log in
  • Entries RSS
  • Comments RSS
  • WordPress.org

Amicitia

  • Gene Lewis Perry
  • Imaginary Gardens with Real Toads
  • Jimperialism
  • Not So Dasai
  • The Joel Golby Fanclub
  • Vile Planet

Miscellania

  • And Then Canada Exploded
  • Daniel Lau
  • Dread Central
  • Fangoria
  • io9
  • Shakespeare's England
  • The Artist's Torah
  • The Awl
  • The Horrors of It All
  • The Parasite Frequently

Webcomics

  • Achewood
  • Dinosaur Comics
  • Gunshow
  • Hark! A Vagrant!
  • MS Paint Adventures
  • Nedroid Comics
  • The Joel Golby Fanclub
  • The Non-Adventures of Wonderella
  • Three Word Phrase
Jan20

HP Lovecraft Goes to an Anime Convention

by Michael on January 20th, 2012 at 10:00 am
Posted In: Uncategorized

You who consider yourself enlightened may still yet laugh at me, but I say to you again: the mind of man, in his Troglodyte infancy, has never dared to imagine the terror I experienced during my two days and three nights wandering the foetid catacombs of the local convention center.

At every turn a new grotesque assailed my eyes: from shimmering diaphanous wraiths with silver hair, to abnormally corpulent beings whose very bodies seemed unnaturally imbricated in the bounds of our sublunary space, and also their homemade Sailor Moon outfits.  My relief at spotting, in the undulating mass of terror, a pair of fuzzy cat ears turned quickly to extremest nausea when I saw they belonged not to a cute little kitty but a squamous youth protesting loudly to the price of a certain table’s merch.

I retreated to the balcony to recompose and it seemed, for a moment, as if a noxious cloud hovered over the entirety of that hideous scene, a condensation nearly visible in its dank iridescence.  The cries of those foul creatures echoed up the columned walls, ululating cries for such incomprehensible entities as “huggles” and “glomps” — and even, in some tenebrous corners, were the hushed, mad whispers of “yiff!”

“Eh, you must be a stranger in these parts,” murmured a voice to my side and, turning, I saw a slight, yellowed old man who by his attire I recognised as a custodian.  ”Happens every year.  Olways a young man not much dif’rent than yeself shows up to this here convention, not knowin’ what he’s in fahr.”  His eyes regarded me with a lizardlike intelligence that inspired in the pit of my being a wordless unease.  ”‘T ain’t so bad onct yer used ta it,” the custodian continued.  ”I’m rememborin’ way back in Ninety-Eight when we began hostin’ this deal…. Wal, Sir, you can believe thar was a lot o’ outcry at the noise an’ the mess.  I was one o’ them!  But after some years had gone by and by ye start to git used to perty much anythin’, ye reckon.”  He chuckled loathsomely.

“Anyhaow,” he said, shaking the leathery head when he saw my horror was not assuaged, “what it was fer me, was I seen ‘em at their meals.   This stuff called… ah, ah, Pocky, ye ken?  Can’t tell ye ‘zactly whut makes it whut it is… a kinda… cookie dipped in… dipped in whatever one might imagine, d’ye see?  An’ I saw ‘em with it, monchin’ and snarfin and snackin’ and I jus’…. got a cravin’…. Queer haow a cravin’ gets ahold on ye, eh boy…?”

My mind pushed to the very limits of exertion, I made to flee for good.  Yet the convention center maps, posted to the walls like horrid, unremembered glyphs, are all but unreadable and after more than one wrong turn I realised I had furtively stumbled into the very nexus of that maelstrom: the Screening Room.

That thing — that terrible unnameable thing – towered above me, projected through the fuliginous aether of that room to proportions unnatural, though it was dimly and reluctantly understood that even unprojected it was a being wholly disproportionate to any known body: its eyes hovered like gibbous moons, iridescent like pools of ichor suspended whole, against the natural laws of physics, in a malformed skull, while about it splayed in non-Euclidean angles, in a shade of the most decadent purple, structures that might have been in some perverse evolutionary perspective homologous to hair.  Before I could leave the room that thing began to gambol, to the amusement of its wretched audience, and began to gibber in its alien tongue: “Onii-chan!  Onii-chan! Itai!!!”

And then came the tentacles.

Itai!!!

 

└ Tags: Glorious Nippon, HPL, short fiction
 Comment 
Dec31

2011: Arcs, the Apocalypse, and American Horror Story

by Michael on December 31st, 2011 at 12:00 pm
Posted In: Uncategorized

My review of last year opened with a rather definitive statement.  There will be no such statement this year.

2011 was a different sort of year, a more difficult year, a year of complication and nuance and building and unraveling and expectation and perhaps — overall — fear.

When speaking of narrative a term that gets thrown around a lot is “arc.”  Where does a character start, and where do they end up?  The thing about life is that you’re always starting somewhere and ending up somewhere else, and then starting again.  You never really stop moving.  2011 was the year many arcs ended, and when many other began.

2011 was the year of learning what it means to occupy; to learn its dangers, and its signification.  American Horror Story is not just the name of a hit new series on FX, it’s also a buzzy phrase for our current political and economic clusterfuck.

But, then again, it’s also the name of a hit new series on FX.

I watched it recently, and American Horror Story is pretty good.  It did its homework on haunted house movies, and it’s got some visual flair.  It’s also one of the most sloppily written things I’ve seen in the past few years — there are, perhaps, no ghosts, just the mournful whisper of wind through the gaping and multitudinous plot holes.

But then there are also actually the ghosts.  The fact that the show is so poorly written means that, when you get right down to it, the character arcs make no sense.  Stories of haunting, as I’ve written on this blog before, often deal with that which has been denied or displaced or forgotten, the problems we’ve neglected to face but which still occupy, however nebulously, some space in our lives.  To save you from any spoilers, suffice it to say that the arc of American Horror Story does not attempt to navigate this hauntological cohabitation of the past and present.  What it does is cheat, in at least two ways.

One is the introduction of an apocalypse storyline — something the latest season of Dexter danced around as well — which is probably the most boring thing imaginable in a horror story for me.  The antichrist, the fruition of Revelation — so fucking what?  Supernatural or horror-inclined shows need to learn is that betting the whole damn farm only makes me think you’re not taking the game seriously.  The stakes are so high they’re meaningless.

The second way AHS cheats is a bit more subtle.  Though it wants us to think the apocalypse is a Bad Thing, total annihilation is in fact the only workable way out offered by the logic of the plot.  The only way our ghosts can be overcome — or at least, cohabitated with — is to be ghosts ourselves.  To force ourselves to belong to the past, or as the past seems to those who inhabit it, in a character’s words, “one long today.”

The apocalypse is the end of futurity.  If there is no future, there can be ghosts.  The ghosts become us, or we them.

Interesting, then, that the world is supposed to end in 2012.  I doubt this, of course, but I guess I could be proven wrong.

But for the time being, no matter what American Horror Story (the series or the situation) suggests, I rather think I’d like to continue soldiering on into the future, with my ghosts in tow.

In 2010 my life was working to a clear, definite point.  It was a time of transition but that transition’s nature felt solid.  The solidity fell to pieces in 2011, when many things happened.  These weren’t necessarily bad things; my graduation was one of them.  I am the first person in my family to obtain a four-year degree, a first-generation college student and, now, a first generation graduate student.  These are wonderful things.

And they are frightening things.  I am on my own now, further afield than any chick from the ancestral nest.  My friendships from undergrad, though they maintain in some ways thanks to modern technological convenience, have ended their arcs for now.  I need to build new relationships, I need to find new ways to occupy the world I’ve made for myself, and that others have made and will make for me.

It would be dishonest to not here mention the one arc still hanging from undergrad: the most frightening and the most wonderful thing of all about 2011.  She knows who she is, and to her I say thank you.  Thank you for staying in this story, even as it got messy.

For the rest of you, I wish you and all your ghosts a happy new year.

└ Tags: encroaching nihilism, fandumb, horror, narrative nonfiction, time of your life
 Comment 
Dec23

About Mrs. Kirkpatrick’s 5th Grade English Class

by Michael on December 23rd, 2011 at 10:00 am
Posted In: Uncategorized

There were no survivors.

└ Tags: limitless literary pretension, short fiction
1 Comment
Dec09

Cormac McCarthy’s Pre-Written Obituary

by Michael on December 9th, 2011 at 10:00 am
Posted In: Uncategorized

The world was saddened today to learn of the loss of author Cormac McCarthy.  Mr. McCarthy lived a long life and anticipated his own passing some time ago, and thus wrote his own obituary well in advance.  It is printed without editorial comment below.

the old man

 

The old man died this week.  He was known chiefly in the region as a charlatan who peddled illusions to a people desperate to speak back into the echoes of its own savage past and there scrape up the dried blood on the worn stones of this country’s history.  He had white hair and a face dry and cracked like an ancient arroyo scraped into the land by a presence perhaps implied by circumstance but far from tangible and at many points seeming to be a figment altogether.

The old man had read quite a few books and at some point took it to his own mind to produce a few which was hard but honest work and in the end the satanic engines had churned up and down the hillsides devouring the trees to make the paper on which his thoughts were printed.  His works included Child of God, No Country for Old Men, Blood Meridian, and The Road.  Several were bought by soft men in suits and these men went back to their luxurious cities and they made these stories into talking pictures not entirely to the old man’s taste but it happened regardless, inevitable like the onrushing dark as the sun sinks down into the parched earth and extinguishes the light of gods and reason.  On account of one of his books he met the black woman Oprah.

The old man was not always an old man but was once a child.  He was a child partly in the East where he was born but the currents of his life dragged him West and his fascination with this place was to become in some ways metonymic with the old man himself.  When the old man was a child he once saw a dog beaten to death with a tire-iron by a local rustic and as the child who would become the old man watched the animal’s eyeball stalk and all drip like egg yolk down the cracked skull he thought, One day that will be me, and in the grand design of things he was not far off.

The old man’s favorite song was Always on My Mind but not as you would expect based on his demographics the Willie Nelson version but rather the recording from the 1980s by the Pet Shop Boys. It will be played at his services this Thursday no matter whatever his bitch of a wife says.

└ Tags: did i mention i am an english major, short fiction
1 Comment
Nov21

TOO MANY PONIES

by Michael on November 21st, 2011 at 10:55 am
Posted In: Uncategorized

it’s not friday but i made this so here

└ Tags: A BLOO BLAH BLOO! A BLOO BLAH BLOOOO!, encroaching nihilism
 Comment 
  • Page 1 of 27
  • 1
  • 2
  • 3
  • 4
  • 5
  • »
  • Last »

Detritus

A BLOO BLAH BLOO! A BLOO BLAH BLOOOO! Allcaps American Psycho A Serious Game AtME BOOKS Brutal buROCKracy did i mention i am an english major encroaching nihilism esmeralda sinn fandumb Glorious Nippon horror HPL I AM FROM... HISTORY i hope you like text limitless literary pretension narrative nonfiction reBarded short fiction skool time of your life tis but a flesh wound vibbeo gabes yes in-fucking-deed the magic of cinema

©1941-2012 Correlated Contents | Powered by WordPress with Easel | Subscribe: RSS | Back to Top ↑